"Any reasonable ordering of the books must have The Last Battle as the final story, and must place Prince Caspian before The Voyage of the ‘Dawn Treader,’ since the latter is very straightforwardly a sequel to the former. Also, The Silver Chair cannot come before either of those books, since one of its main characters, Eustace, appears in Dawn Treader as a younger and very different sort of person from the one he is in The Silver Chair. Moreover, readers of the series will probably agree that The Horse and His Boy, being a largely self-contained story with minimal connections to the others - it is mentioned briefly in The Silver Chair, and the Pevensies appear in it briefly as rulers of Narnia - could be stuck into the sequence anywhere except the beginning and end. So the dispute really concerns only one question: should the sequence begin with The Lion, the Witch and the Wardrobe or The Magician’s Nephew?
The argument for The Magician’s Nephew is simple: since it describes Aslan’s making of Narnia, placing it at the beginning yields a biblical, Creation-to-Apocalypse arc for the series. The case for The Lion is more complex and much stronger. First of all, though Lewis spoke of altering the order of the books, he also spoke of needing to revise the books in order to remove inconsistencies - and if Nephew is read first, there will be many such inconsistencies. For one thing, we are told quite explicitly at the end of The Lion that its narrative is ‘the beginning of the adventures of Narnia’. For another, Lewis tells his readers that the children in The Lion do not know who Aslan is ‘any more than you do’; but of course the readers would know Aslan if they had already read Nephew. Moreover, much of the suspense in the early chapters of The Lion derives from our inability to understand what is happening in the magical wardrobe - but if we have read Nephew we will know all about the wardrobe, and that part of the story will become, effectively, pointless. Similarly, one of the delights of The Lion is the inexplicable presence of a lamp-post in the midst of a forest - a very familiar object from our world standing curiously in the midst of an utterly different world - and one of the delights of Nephew is the unexpected discovery of how that lamp-post got there. Anyone who begins with Nephew will lose that small but intense pleasure, the frisson of one of Lewis’s richest images.
If Lewis really and truly thought that the series was best begun with The Magician’s Nephew, he was simply mistaken. The original order of publication is the best for any reader wishing to enter Narnia.”
Alan Jacobs, “The Chronicles of Narnia,” in The Cambridge Companion to C. S. Lewis. (via giftsoutright)
I was in a bookstore recently and came across a boxed set of The Chronicles of Narnia. Despite the numbers erroneously printed on the spine, I rearranged them into their proper order.
Yes, I’m that guy.
Reader Submission: Title and Redesign by Megan Pallante.
J.R.R. Tolkien: The Lord of the Rings
Happy Birthday, Tolkien!
One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character. We can’t criticize it, because it is criticizing us. As I wrote once: It is a Household Book; a book which everybody in the household loves, and quotes continually; a book which is read aloud to every new guest and is regarded as the touchstone of his worth. But I must give you one word of warning. When you sit down to it, don’t be so ridiculous as to suppose that you are sitting in judgment on my taste, or on the art of Kenneth Grahame. You are merely sitting in judgment on yourself. You may be worthy: I don’t know. But it is you who are on trial.— A. A. Milne in an introduction to The Wind in the Willows.
Happy Birthday, Roald Dahl from Better Book Titles!
(thanks to CusCus the Cat for two of these submissions!)
In the deathly hush that hung over the gardens, Gareth’s descent from the wall sounded like the mating of oxen in dry brush.— Dragonsbane (160). What a great line.
Somebody voted this book for the list of “intellectually satisfying Christian books.”
Kill me now.
Believe me, my young friend, there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats.—
Rat, The Wind in the Willows
There are no words to fully communicate how much I truly love this book.
Just started reading this book. Absolutely fascinating.
This is a difficult book to classify, and thus to review. It’s not a book of economics, but rather about economics, particularly the modern focus on mathematics to the exclusion of ethics. It’s pretty abstract and philosophical. I almost gave up a number of times in the first 150 pages, as I slogged through Sedlacek picking out and commenting on the economic bread crumbs found in the most ancient of literature, the Epic of Gilgamesh, followed by Greek thought, Stoicism, historic Christianity, and the Enlightenment thought of Hume, Descartes, and Adam Smith.
One of most interesting chapters was on Adam Smith: for example, the views he is famous for advocating (the “invisible hand,” among other things) are not actually his own, and his economic ethics are more complex than commonly understood. The other fascinating section was his short discussion on how the contemporary Keynesian approach to the business cycle is anything by Keynesian—what he dubs “Bastardized Keynesianism”—i.e. that deficits are okay in time of decline as long as they are paid back out of surpluses. Obviously, that second half of the equation has been totally ignored by modern national economies, as we in the West continue to spend ourselves into oblivion.
Sedlacek calls out modern economists for their arrogance in attempting to explain virtually everything using exclusively mathematical economic models, arguing that have become just as dogmatic and unscientific as many religious people (supposedly) are. He calls for more ethics and more epistemological humility in his field, and what a welcome call it is. This book is a slow burn, and not too terribly exciting, but ultimately intellectually stimulating and satisfying.